Weller has found an ideal blend of experience and a quest for more that provides for an optimistic album for an English summer.E MajorE F# minorF#m E MajorE F# minorF#mĪ augmentedA G# minorG#m C# minorC#m A augmentedA C majorCĬ# minorC#m F# minorF#m C# minorC#m F# minorF#m C# minorC#m F# minorF#m C# minorC#m F# minorF#m C# minorC#m F# minorF#m C# minorC#m F# minorF#m C# minorC#m F# minorF#m Bridge:Ĭ# minorC#m F# minorF#m C# minorC#m F# minorF#m C# minorC#m F# minorF#m C# minorC#m F# minorF#m C# minorC#m F# minorF#m C# minorC#m F# minorF#m C# minorC#m F# minorF#m C# minorC#m F# minorF#mĪ augmentedA A augmentedA A augmentedA A augmentedA Verse:īut when I hear that sound it goes to my heartĪ augmentedA A augmentedA A augmentedA B minorBm A augmentedA Chorus:Ī augmentedA A augmentedA A augmentedA A augmentedAįrom the mountains high. It is an indication of the speed of his thought these days, and is shown in On Sunset’s ability to translate instinctive musical ideas into an album at a moment’s notice. More is allowed an extended coda, where the rasp of a baritone saxophone underpins a brass section and The Strypes‘ Josh McClorey delivers a penetrating guitar solo.Įven as this album is released Weller is writing more songs, his next solo chapter already coming into view. The title track has pleasant contours in its reflections that would grace a George Harrison album, with dappled orchestral colouring charting Weller’s reminiscences. In doing so it brings an unexpected, searing pang for the return of live music. In its central section it pans out, capturing the excited whoop of an audience in the moment their subject arrives on stage. Mirror Ball begins the album, a mini-suite of mind-expanding sounds. None of them outstays their welcome, either. On Sunset has three of the longest songs Weller has allowed onto an album, a sign of his continuing confidence to let the music breathe. It sprawls a little, but intrigues in equal measure. Earth Beat takes a track from Ghost Box’s Jim Jupp, reworking it through an almost bewildering set of styles heading towards Weller’s electronic experiments. Original Jam member Steve Brookes is in, while Slade violinist Jim Lea appears to enhance Equanimity’s easy gait. Weller continues to open his music up to others, too. More is one such example, drawing back to its dubby bass line at the start of each verse but applying some gorgeous brushstrokes as the chorus arrives. The arrangements make a big difference for once again they are not layered on thick but subtly sculpted, capturing the rise and fall of each song where they are used. This is in keeping with previous album True Meanings, which enhanced Weller’s familiar band line-up with sensitive and effective orchestral colouring. Ironically, On Sunset finds Weller picking up some. Polydor and Weller parted ways after he delivered Modernism: A New Decade in 1989, an excursion into house music that the label deemed too uncommercial at the time. On Sunset Lyrics by Paul Weller from the customalbum6113371 album - including song video, artist biography, translations and more: I was gonna say hi But. Underpinned by a sure footed bass line, it has gorgeous string arrangements, the fruits of another successful stint working with Hannah Peel. On Sunset finds Paul Weller returning to Polydor Records, the label both the Jam and Style Council called home back in the 1980s. The voice can be soulful, too, as the expressive tones of Baptiste illustrate. And yet it does not sound too twee, the pastoral elements complementing the familiar, slightly swarthy tones of the singer. Walkin’ is a good example of his current state of mind, its ambling profile a study in contentment while its production is laced with birdsong. Since 1977, Paul Weller has been writing socially and politically aware lyrics accompanied by a whole range of musical styles, and while doing so has always. Instead the positive and appreciative lyrics are paired with music that is upward looking and ultimately extremely creative. This is understandable given the relative domestic bliss in which he now lives, but it stops a long way from self indulgence. I am a huge fan and collector of his music as a solo artist and of his 2 previous bands The Jam and The Style Council. I love this new album -soulful with a early 70’s vibe. Instead they are more personal and reflective, unafraid to appreciate the smaller things in life and the presence of those close to him. Paul Weller goes back to his days in The Style Council. There was a time when the former Jam and Style Council front man would have used anger at current world affairs to fire his inspiration, but these days his songs barely allude to those events. On Sunset, his sixth solo album in 10 years and his 15th in total, finds him not only ageing gracefully but continually renewing his musical explorations. Paul Weller cuts a very contented figure these days, but that doesn’t mean his music making has become complacent.
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